Thursday, January 30, 2014

Year of the Horse


I had lunch at Shun Lee West this week as a sort of pre-celebration of the Chinese New Year on January 31. The lunch was courtesy of Ford, which is having its own year-long party for the Mustang, turning 50 on April 17, 2014. It's certainly a stroke of luck when a major anniversary for an iconic car named after a horse is aligned with that year's Chinese Zodiac symbol. 




Shun Lee didn't disappoint. Not only were the steamed dumplings and lo mein delicious, but the space, which I hadn't been to in possibly two decades, was also festively outfitted with all the Zodiac signs, some internally lit and hung from the ceiling.




There was even a giant fortune cookie at the end. Mine read: "Your life will be a blur. In a good way." I'll take that. Happy new year!




Tuesday, January 28, 2014

Watermark at the Seaport

Wid Chapman has designed more than a dozen Manhattan restaurants, the standouts being both locations of Tamarind (only the TriBeCa outpost is open now). His latest eatery is Watermark Bar.  I haven't been yet, but I look forward to a visit in the spring, since it's right on the water on Pier 15, which, like the rest of the South Street Seaport, is getting back on its feet after Hurricane Sandy. Interior Design magazine has begun a great video series of designers giving virtual walk-throughs of their projects. Here's the video of Wid discussing Watermark.

Watermark Bar. Photo by Paul Johnson. 

Tuesday, January 14, 2014

Friends or...Frenemies?

West 50th Street in midtown Manhattan is home to two new fast-casual eateries, Melt Shop and the Little Beet. Both are well-lit and colorful, with some nice design moments, which ordinarily is a very good thing. But these two well-lit and colorful spaces are smack next door to each other.


But there's more. Both places have the same exact chair throughout: the Marais A by Xavier Pauchard (which can be found at Design Within Reach).

Granted, this is a popular chair, especially where sturdiness and easy cleaning are needed, like in high-traffic midtown lunch spots. But I still find it a bit unusual. Seems like each restaurant got the Marais in a custom color (yellow for Melt, purple for Beet), but I'm still scratching my head as to whether this was an intentional similarity or a crazy coink-i-dink. Let me know if you know!

Tuesday, January 7, 2014

Scrapbook: Mexico City

Scrapbook. A new type of entry: a visual roundup focusing on design and food in a particular city. Vamonos a Mexico City!

Chips and salsa setup at El Bajío
Outdoor dining at furniture showroom Piacere
Corn encased in Plexiglass at Museo de Arte Moderno
Delicious colors in Javier Anzures's Domingo, 1982, also at MAM
A suite at the W Mexico City
Dinnerware at Azul Histórico
Triple-height green wall at Downtown Mexico hotel & hostel
Glassware by students from Anáhuac Mexico Norte & Nouvel Studio, part of Design Week Mexico
Porcelainware from Trinitate
A plate with Luis Barragán's favorite symbol at Casa Luis Barragan
A basket of Mexican dulces
Soup getting poured at Quintonil

Thursday, October 10, 2013

The Nightlife Conference

Yes, you read that correctly. MAD Museum is hosting a weekend of talks centered on the social practice of NYC nightlife, Nov. 8-10.


Among the panels to choose from are:
-You Deserve a Drink Ticket! The Art of Hosting
-States of Excess and Undress: Fashion, Performance, and Taboo in Nightlife

But some actually have seem to have some meat to them, like:
-What Ever Happened to Flyers? Nightlife Post-Internet
Which will explore how the virtual social space of the Internet alters the physical architecture of nightlife venues, among other things.

Patricia Field kicks things off with the keynote speech—on Friday night, of course.

Saturday, September 28, 2013

Marea: Nautical in the Best Way

In August, I wrote about The Butterfly. Which makes this my second writeup about an Altamarea Group NYC restaurant in a short while. I guess that's because my experiences there have been so enjoyable. Unlike The Butterfly, which is quite casual and in TriBeCa, Marea is more of a special-occasion destination in Midtown. Also different is that it's known for its seafood (marea is Spanish for "tide"), which I can confirm, after the Branzino I had, is delicious.

Branzino, pumpkin, coco beans, spigarello, marcona almonds
The seaside is also translated into the design, executed by Richard H. Lewis Architect and Franco Rosignolo, but in such an elegant and artistic way. Sure, there are seashells, but they're presented dramatically like individual sculptures—limestone bases and all—that they seem perfectly at home in the urban setting. I'd love to have the below one in my house, which, too, is not anywhere near a beach.



Then there's the actual art: a stunning collection of water-themed photography. Pieces appear throughout the dining room, of course, but some of my favorites were downstairs, in the restroom lounge, and even in the restroom stalls.

In the dining room

Restroom lounge

Restroom stall




Tuesday, September 24, 2013

A Rural Saturday

There are many treasures in the food and design worlds to be discovered just outside the city. An hour north by car, up the Palisades, lies Garrison and Cold Spring, two charming hamlets worthy of exploration.

The former is perhaps best-known for Manitoga/The Russel Wright Design Center, the mid 20th–century home and studio of the modern ceramicist that's situated above a former quarry amid 75 woodland acres. Standard tours are offered but so are volunteer landscape days, which is what we did and which I totally recommend—a really wonderful way to immerse yourself in the setting, help preserve a National Historic Landmark and World Monuments Watch Site, and meet like-minded people. . .plus they provide a lovely lunch.
Russel Wright's house
Dining area with Wright ceramicware
The wooden tub & view in Wright's studio
A 1959 letter from Edward J Wormley to Wright (notice the cigs)
Designer and fellow volunteer Anita Csordas exploring the 75-acre woodlands
A drive literally down the road takes you back a whole other century to Boscobel, an estate built in the early 1800's in the New York Federal style. We didn't tour the house, but we did walk the grounds, which include an orangery and stunning Hudson River views. 
The Boscobel orangery
Kousa dogwoods dot the estate grounds
Cold Spring is another short drive, and its Main Street is perfect for a window-shopping stroll, followed by a snack at one of the cafés. We were drawn most by the clapboard Cape-Cod style of Hudson Hil's, a clever moniker derived from the co-owner's name, Hilary Hayes, and the menu's offerings made of fresh, local ingredients from Hudson Valley farms. 

Homemade at Hudson Hil's with produce from local farms